{"id":158,"date":"2018-09-01T19:52:23","date_gmt":"2018-09-01T17:52:23","guid":{"rendered":"http:\/\/www.duesseldorfpalermo.com\/?p=158"},"modified":"2021-05-13T10:24:46","modified_gmt":"2021-05-13T08:24:46","slug":"positionpalermopalermo","status":"publish","type":"post","link":"https:\/\/www.duesseldorfpalermo.com\/positionpalermopalermo\/","title":{"rendered":"Position Palermo Palermo"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":270,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[110,121,92],"tags":[],"grid":"{\r\n  \"colCount\": 16,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    2\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 8,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {},\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"font-size: 60px; font-family: butler_light-webfont;\\\">Position Palermo Palermo<\/span><br \/>Roberto Collov\u00e0, Jos\u00e9 Florentino, Adriano La Licata, Roberta Mazzola,\u00a0 Michela Palermo, Fabio Sgroi, Giorgio Vasta<\/p><p>\u2028A cura di \/ Kuratiert von Susanne Anna, Michael Kortl\u00e4nder, Alessandro Pinto<\/p><p>Stadtmuseum, D\u00fcsseldorf<br \/>05 09 - 30 12 2018<br \/><br \/><span style=\\\"font-size: 20px;\\\">Museo Civico di Castelbuono<br \/>07 04 - 21 07 2019<\/span><br \/><br \/><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 42\r\n    },\r\n    {\r\n      \"type\": \"carousel\",\r\n      \"cont\": \"\",\r\n      \"align\": \"middle\",\r\n      \"row\": 0,\r\n      \"col\": 5,\r\n      \"colspan\": 9,\r\n      \"offsetx\": 0,\r\n   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Palermo e la sua affermazione, Palermo e la sua negazione. Il celebre spettacolo di Pina Bausch \u201cPalermo Palermo\u201d presentato nel 1990 al Teatro Biondo si apre con l\u2019immagine di un muro che va in frantumi, con le macerie che diventano parte attiva della scena e termina, senza alcun nesso narrativo, con un racconto su delle oche che riescono a fare attendere la volpe in procinto di mangiarle attraverso una preghiera infinita. Due forze contrapposte messe in atto, quella centrifuga, di rottura e fuga da Palermo e quella centripeta di resistenza in una citt\u00e0 dalle mille storie, e dai mille contrasti. Queste due forze sono il fil rouge della mostra che gli artisti hanno cercato di esprimere attraverso un segmento della loro personale visione di Palermo realizzata tramite un confronto formale e contenutistico con il medium fotografico sia per affermazione che per negazione del medium stesso: fotografie, installazioni, sculture, testi audio \u2013 frammenti e brani dalla citt\u00e0 dai mille volti.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 1,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 166\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><em>Palermo und sein Schatten, Palermo und sein reflektiertes und umgekehrtes Bild. Die Stadt und ihre Anerkennung, die Stadt und ihre Negation. Das beru\u0308hmte, 1990 im Teatro Biondo pr\u00e4sentierte Schauspiel von Pina Bausch \u201ePalermo Palermo\u201c beginnt mit einer Mauer auf der Bu\u0308hne, die in sich zerbricht. Die Tru\u0308mmer hingegen werden zum aktiven Teil der Szene. Alles endet ohne einen erz\u00e4hlerischen Zusammenhang mit einem Monolog u\u0308ber G\u00e4nse, die durch ihre endlosen Gebete einen Fuchs daran zu hindern versuchen, sie zu verspeisen. Hier geht es um zwei elementar gegens\u00e4tzliche Kr\u00e4fte: die zentrifugale Kraft, die uns aus der Stadt herauskatapultiert und zur Flucht auffordert und die Zentripetalkraft, diesem Drang zu widerstehen, um in einer Stadt mit tausend Geschichten und tausend Kontrasten zu bleiben. Diese beiden Kr\u00e4fte sind der roten Faden der Ausstellung, den die Ku\u0308nstler*innen durch ihre pers\u00f6nlichen Visionen von Palermo aufzeigen. Das Medium Fotografie wird zum Teil affirmativ genutzt, aber es wird auch in seinen ureigenen M\u00f6glichen beschnitten und zusammen mit Installationen, Skulpturen und H\u00f6rtexten zeigt es Fragmente und Passagen einer Stadt der tausend Gesichter.<\/em><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 8,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 43\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/www.duesseldorfpalermo.com\/wp-json\/wp\/v2\/posts\/158"}],"collection":[{"href":"https:\/\/www.duesseldorfpalermo.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.duesseldorfpalermo.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/wp-json\/wp\/v2\/comments?post=158"}],"version-history":[{"count":0,"href":"https:\/\/www.duesseldorfpalermo.com\/wp-json\/wp\/v2\/posts\/158\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/wp-json\/wp\/v2\/media\/270"}],"wp:attachment":[{"href":"https:\/\/www.duesseldorfpalermo.com\/wp-json\/wp\/v2\/media?parent=158"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/wp-json\/wp\/v2\/categories?post=158"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/wp-json\/wp\/v2\/tags?post=158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}